-
Recent Reviews
- Camerata Singers – Considering Matthew Shepard
- Chamber Music Monterey Bay — Escher String Quartet
- Aizuri String Quartet — Fabulous Artistry
- YMMC March Concert – Migration
- Ensemble Monterey’s Tribute to an Early Spring
- Pianist Kevin Lee Sun in Aptos Keyboard Series
- Monterey Symphony presents: Ovation
- The Thoughtful Muse: A Recital by Pianist Daria Rabotkina
- Stravinsky – Music & Dance in Miami
- Ehnes Quartet in Beethoven Quartet Cycle
- Heavy Stuff – A Recital by Vladimir Feltsman
- Santa Cruz Symphony: Catharsis
-
-
Recent Previews
-
List by Category
-
-
A Steinway Celebration

On January 25, at the Unitarian Universalist Church of the Monterey Peninsula, we heard a very special concert celebrating the renovation of a splendid 115-year-old Steinway 6’4″ grand piano originally donated by parishioner Harry Ogden in 1992. This instrument was recently totally rebuilt and refinished thanks to donations from church members.
This concert was a standing-room-only sellout — there were not enough printed programs so latecomers had to share. But for those of us fortunate enough to squeeze into the limited space, it was a very rewarding concert. The featured artists on this occasion were pianist Lucy Faridany, cellist Linda Mehrabian, and vocalists Jody Lee and Patty Pai.
We heard some unusual repertoire — how often have you heard works combining voice, cello and piano? Well we heard several of them during this concert by composers Fauré, César Franck, Debussy and Poulenc. Singers Lee and Pai impressed us with their lovely voices, superb musicianship and lovely shaping of phrases.
Cellist Linda Mehrabian has a beautiful rich sound and charmed us with her elegant playing in works by Gabriel Fauré and Ralph Vaughan Williams.
The player with the largest role during the concert was Lucy Faridany, who always impresses us with her ability to get to the heart and soul of any work she performs. There is a naturalness to her playing, whether supporting others in ensemble playing or as a soloist, for on this occasion she performed Chopin’s Fantasie-Impromptu and Waltz in E Minor, Op. Posth, and and then blew us away with a powerful performance of Rachmaninoff’s Prelude in G Minor, Op. 23, No. 5.
We can hope that there will be many more concerts in the Church’s Music Series.
End
Archived in these categories: Cello, Chamber music, Piano, Vocal
Fiddler on the Roof at Santa Catalina

A large audience turned out Friday evening for the opening night of Santa Catalina’s production of Fiddler on the Roof, which will be running for four performances during the next two weeks. The stagecraft for this production was ingenious in the way it used modular units on stage (the back of each unit representing parts of a different scene), which could be joined and then moved easily, quickly and silently in between scenes. It worked brilliantly. Stage lighting and sound management were likewise effectively managed and enhanced each scene. Director Lara Wheeler Devlin deserves a lot of credit for making all the complicated elements of this production work so well together. Musician Chris West also deserves kudos for the way she kept the nine musicians in the pit totally coordinated with the action on stage.
Read full story
Archived in these categories: Dance, Vocal, Vocal ensemble
The Chagrins of Love — Ian Bostridge in Recital

A small but highly appreciative audience attended the Wednesday, October 16 recital by tenor Ian Bostridge and pianist-composer Brad Mehldau at Stanford’s Bing Hall. The program rubric, “The Folly of Desire,” featured music by two composers, Mehldau and Robert Schumann. For the eleven songs by Mehldau, the self-immolating and often debased aspects of desire became subject matter for a series of jazzy treatments, more rhythmic and harmonic than conspicuously melodic. The poems Mehldau selects, from his “post MeToo” sensibility, derive from such diverse talents as Auden, Cummings, Shakespeare, Yeats, Blake, Brecht, and Goethe. Their content affirms, denies, mocks, and even salaciously depicts the more carnal implications of love – or rather, lust – in its attempt to achieve the spiritual resolution it might offer as agape. For Robert Schumann, whose music commanded the second half of the concert, his four independent songs and the 1840 cycle Dichterliebe, Op. 48, seek to reconcile love with Nature’s ineluctable tendency to make ephemeral our most exalted moments.
Read full story
Archived in these categories: 21st Century, Piano, Vocal
David Gordon — A Stroll Down Memory Lane

It was a full house yesterday afternoon in the Recital Hall at MPC — 250 loyal fans, none of whom would miss an opportunity to hear David Gordon at his best. He fills all the roles of entertainer, raconteur, “dramaturge” (if he didn’t invent that term, he certainly owns it) and knock-em-dead singer in every style and genre known to man. Simply stated, he is a great and natural all-around musician, plus, incidentally, his guitar playing ain’t bad, either.
Read full story