The Jeweled Style — The Tetzlaff Piano Trio in Concert

  
                                                                                           

Tetzlaff Piano Trio

There was thunderous applause at the end of the April 27 concert by the Tetzlaff Piano Trio at Herbst Theatre presented by San Francisco Performances. In response to the standing ovation the three musicians (violinist Christian Tetzlaff, cellist Tanja Tetzlaff and pianist Lars Vogt) played one encore – the third Dumka from Dvořák’s Piano Trio in E Minor, Op. 90. This piece was performed in protest against the earlier-in-the-day shooting at a synagogue in California and “to spread love and hope in the world.” The galvanized adulation of the audience came as a direct result of a previously performed work on the program by Dvořák, his 1882 Piano Trio in F Minor, Op. 65. This dark composition, a result of the composer’s reaction to his mother’s passing and the deep influence of the impassioned side of Johannes Brahms, made up the second half of the program, which had begun with Mozart’s 1786 Piano Trio in B-flat Major, K. 502 and the 1943 Shostakovich Piano Trio in E Minor, Op. 67.     

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Archived in these categories: Classical Era, Piano trio, Romantic Era


Brentano Quartet & Pianist Yekwon Sunwoo at Sunset Center

It was a pleasure to welcome back the Brentano Quartet for a return engagement after its highly acclaimed performance for the Carmel Music Society in 2013. On this occasion, the quartet was joined by 29-year-old pianist Yekwon Sunwoo, Gold Medalist at the Fifteenth Van Cliburn International Piano Competition, who had recently appeared on the Carmel Music Society’s series in September 2018.

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Archived in these categories: Carmel Music Society, Chamber music, Classical Era, Piano trio


Monterey Symphony — Talented young artists from the Curtis Institute of Music

Pianist Michael Davidman

I can’t remember when I have enjoyed a performance of a Mozart piano concerto as much as I did the dazzling, charming performance we heard last night by 20-year-old Michael Davidman. A student at the Curtis Institute of Music, Davidman was sharing the limelight on this occasion, the 4th program in the Monterey Symphony’s “Grand Piano Series,” with guest conductor Conor Gray Covington, a recent graduate of the Curtis Institute of Music, who at a young age already has an an impressive list of accomplishments to his credit. Read full story

Archived in these categories: Classical Era, Concerto, Monterey Symphony, Piano trio


Santa Cruz Symphony Musicians — An Evening of Chamber Music at Samper Hall

Cellist Jonah Kim

On Sunday March 4 at Cabrillo College’s Samper Hall we were treated to an evening of intimate chamber music featuring Santa Cruz Symphony’s principal cellist Jonah Kim joining with other principal players and the Symphony’s Conductor Daniel Stewart. It is a given fact a Symphony Orchestra is as good as its musicians and this is the very reason the Santa Cruz Symphony’s Music Director Maestro Daniel Stewart has searched and found some of the very finest young talent available anywhere. This is precisely the main reason the Symphony performs works by Beethoven, Brahms, Mahler and Strauss, to name but a few, with such perfection and emotion. First cellist extraordinaire Jonah Kim, concertmaster extraordinaire, Nigel Armstrong, Maestro extraordinaire Stewart and guest collaborating pianist Elizabeth Dorman performed four works that will keep the sold out audience buzzing for weeks to come! To be sure, Ms. Dorman’s performance was equally extraordinaire! These are very deep musical talents with enormous artistic abilities brought forth in this concert. Read full story

Archived in these categories: Cello, Piano, Piano trio, Violin


Palpable Intimacies: The Atos Trio in Recital

Some concerts require no encore: the Atos Trio performed music of Turina, Mendelssohn, and Schubert for the Steinway Society, Sunday, March 4 at the Petit Trianon Theatre. Before a small but decidedly enraptured audience, the Trio – celebrating its 15th year of collaboration – displayed a consistent level of ensemble and spontaneous, insightful musicianship as to elevate them to the upper echelons of chamber music performers. Read full story

Archived in these categories: 20th Century, Chamber music, Piano, Piano trio, Romantic Era