- Aria’s “Divagain”
- Hartnell Community Choir at Church of the Wayfarer
- Rachmaninoff: Known and Unknown
- Carmel Music Society’s 2018 Piano Competition Awards Concert
- Modesty and Poise: A Recital by Seong-Jin Cho
- Pianist Yura Margulis at Hidden Valley
- A Penchant for Percussion: Alexander Gavrylyuk in Recital
- Monterey Symphony Ends Season with a Bang!
- Soprano Hyesang Park & pianist Ken Noda
- Youth Music Monterey — Mother’s Musical Souvenir
- Monterey Peninsula Voices –“Let’s Go the the Movies”
- Camerata Singers – To Pauline – With Love
List by Category
Cellist Laurence Lesser
The concert series by [email protected] Chamber Music Festival reflects a high artistic quality by international artists during three weeks every summer, and concludes this year on August 8. Less well publicized is the Chamber Music Institute. The Young Performers Program attracts young musicians ages nine to eighteen, while the International Program is for musicians ages eighteen to twenty-nine. This year there were forty-two musicians invited to participate in the two programs. The participants have daily interaction with the performing faculty in the form of master classes and performances. It’s an intensive immersion in chamber music that can be a big boost to a talented young musician.
Some of the most interesting Carmel Bach Festival events every year are the open sessions of the Virginia Best Adams Vocal Master Classes, which give us an intimate glimpse of some of the most outstanding members of the CBF Chorale, who are young professionals well on their way to establishing their own careers. David Gordon usually presides over these master classes, but since he was occupied in rehearsals Monday afternoon, standing in for him on this occasion was David Newman, a distinguished member of the CBF Chorale. Newman introduced himself to the audience saying that twenty years previously he had been a Virginia Best Adams Fellow sitting in the first row where the four young singers were seated while waiting to participate in the session. The assisting pianist for these classes is the versatile Michael Beattie, who seems to be at home in just about any style you can imagine, whether it be opera, oratorio, art songs, or Lieder.
Christopher Gaudi, Marc Shapiro & Elaine Douvas
Attending a concert at Hidden Valley is always a special event. As I departed hastily to make an early morning deadline, Peter Meckel, Hidden Valley’s Director, called out to me, “Where else could you hear the principal oboe players of the Metropolitan Opera and the San Francisco Symphony coming together in such an intimate setting?” He was correct. Whether it be an orchestra concert, a group of ensemble players or a solo recital, not only is there is usually a considerable distance separating the members of the audience seated at a lower level from the performers on stage, but there also tends to be an invisible curtain wall separating the audience seated in semi darkness from the players brightly illuminated on stage.
Pianist Ang Li and Jessica Smith
On Saturday afternoon at the First Congregational Church of Santa Cruz a small audience of piano students, their families and teachers assembled to participate in a piano master class presided over by distinguished pianist Ang Li. Later that same evening, Ms. Li would be the featured artist in a concert presented by the Distinguished Artists Concert & Lecture Series (DACS) founded by Dr. John Orlando, Professor Emeritus of Cabrillo College. The Santa Cruz Branch of the Music Teachers’ Association of California and DACS were jointly sponsoring this master class and the participating students were enjoying the use of the magnificent new Yamaha CFX concert grand piano made available by DACS. Master of ceremonies, Barbara Jirsa, welcomed the audience and introduced artist teacher Ang Li.
The Hidden Valley Music Seminars Masters’ Festival series continued with mezzo-soprano Susanne Mentzer on Saturday in an evening of sensitive world-class vocalism. Ms. Mentzer was in Carmel Valley leading a vocal master class for five extremely talented singers who, after three days of expert tutelage, were treated to an evening of “their master’s voice.” Her concert consisted of German fare, including Strauss, Brahms, Berg and Mahler in the first half, and a series of French composers (Debussy, Boulanger, Faure, DuParc and Chausson) in the second half.