The Jeweled Style — The Tetzlaff Piano Trio in Concert

  
                                                                                           

Tetzlaff Piano Trio

There was thunderous applause at the end of the April 27 concert by the Tetzlaff Piano Trio at Herbst Theatre presented by San Francisco Performances. In response to the standing ovation the three musicians (violinist Christian Tetzlaff, cellist Tanja Tetzlaff and pianist Lars Vogt) played one encore – the third Dumka from Dvořák’s Piano Trio in E Minor, Op. 90. This piece was performed in protest against the earlier-in-the-day shooting at a synagogue in California and “to spread love and hope in the world.” The galvanized adulation of the audience came as a direct result of a previously performed work on the program by Dvořák, his 1882 Piano Trio in F Minor, Op. 65. This dark composition, a result of the composer’s reaction to his mother’s passing and the deep influence of the impassioned side of Johannes Brahms, made up the second half of the program, which had begun with Mozart’s 1786 Piano Trio in B-flat Major, K. 502 and the 1943 Shostakovich Piano Trio in E Minor, Op. 67.     

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Archived in these categories: Classical Era, Piano trio, Romantic Era


Pianist Halida Dinova in Aptos

It was an enthusiastic audience that greeted pianist Halida Dinova at the Episcopal Church of St. John the Baptist in Aptos yesterday afternoon. Since Ms. Dinova has appeared several times previously on the Aptos Keyboard Series, her fans had high expectations, and she certainly did not disappoint them on this occasion. A Russian trained virtuoso with a blistering technique equal to any challenge, she also demonstrated that she could on demand spin magic moments of expressive and poetic playing.

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Archived in these categories: 20th Century, Classical Era, Piano, Romantic Era


Ensemble Monterey Presents: Schubert

Franz Schubert

On Saturday, March 9th, at St. Philip’s Lutheran Church in Carmel, we were privileged to hear a unique program offered by Ensemble Monterey under the direction of Dr. John Anderson. The program, titled Schubert, was comprised of works by Carl Nielsen, Richard Strauss, and Franz Schubert. Dr. Anderson led the group of highly talented and dedicated musicians through a progression of works culminating in one of Schubert’s masterpieces, the Octet in F Major. The musicians who made this successful evening possible were Erica Horn (clarinet), Gail Selburn (bassoon), Scott Hartman and Jeff Fowler (horn), David Dally (violin and concertmaster), Shannon D’Antonio (violin), Susan Brown (viola), Margie Dally (cello), and Kelly Beecher (bass).

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Archived in these categories: 20th Century, Classical Era, Orchestral, Youth


San Francisco Symphony — Crouching Tigers, Gentle Dragons

Francoise-Xavier Roth

Making his debut with the San Francisco Symphony, guest conductor Francoise-Xavier Roth led a spectacularly successful concert Saturday, March 9 at Davies Hall of music by Schumann, Liszt, and Brahms. The relatively traditional, Romantic fare had the benefit of French pianist Cedric Tiberghien in the solo part of Liszt’s explosive Piano Concerto No. 1 in E-flat Major. Tiberghien’s remarkable panache in the Concerto warranted one encore, at which conductor Roth sat thoughtfully, the Oiseaux tristes from Ravel’s set of Miroirs.  

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Archived in these categories: Classical Era, Concerto, Orchestral


Duo Papillion — Music for Piano Four Hands

We were treated to piano synergy Friday night, March 8, 2019, at First Presbyterian Church in Carmel. Pianists Barbara Ruzicka and Kumiko Uyeda debuted as a newly-founded, four-hand piano ensemble to be known as Duo Papillion.They filled the sanctuary with wonderful music for an attentive audience performing on a Steinway concert grand piano that sounded very nice indeed. I have fond memories of playing duets as a piano student, but my efforts didn’t come close to the fine musicianship exhibited by Duo Papillon.

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Archived in these categories: Classical Era, Piano, Romantic Era