Elastic Brio: Menlo’s Overture Concert

An inspiring, rare moment of collaboration marked the Friday, August 2nd Overture Concert at [email protected]’s Center for Performing Arts at Menlo-Atherton, the occasion’s inviting young, International Program artists to share the stage with seasoned veterans, in the spirit of musical pedagogy and performance-practice. In music by Beethoven, Franck, and Brahms, the participants emanated a thoroughly integrated and often feverishly intense series of performances that point to the active musicians’ futures as much as to their appreciation of past masters, a thoroughly happy meeting of youthful hopes and experienced professionals.                                             

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Archived in these categories: Chamber music, Classical Era, Piano, Romantic Era


Masterful: [email protected]’s Concert Program V

Photo by Anna Kariel

A quartet of diverse, post-Romantic composers comprised the July 26 Concert Program V of [email protected]’s ongoing survey of Incredible Decades, 1890-1900: Moscow to Montmartre, held at The Center for Performing Arts at Menlo-Atherton. Music by Joseph Suk, Claude Debussy, Johannes Brahms, and Sergei Rachmaninov provided masterful vehicles for a literal pageant of accomplished participants while expanding our own horizons on the repertory of this fertile period of imaginative creation.

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Archived in these categories: Chamber music, Classical Era, Piano, Romantic Era


Sonorous Sweep: The Romantic Revolution at Menlo

Photo by Anna Kariel

While only three chamber music works comprised the [email protected] concert of the July 26 Concert Program No. IV at The Center for Performing Arts, Menlo-Atherton, the brilliant artistry by which these works – Schumann’s Piano Trio No. 1 in D MinorOp. 63; Chopin’s Cello Sonata in G Minor, Op. 65; and Mendelssohn’s String Quintet No. 2 in B-flat Major, Op. 87 – found realization so illuminating that they seemed to exemplify their motivic rubric, “1840-1850: The Romantic Revolution.”

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Archived in these categories: Chamber music, Romantic Era


CBF 2019 — Community Concert at St. Francis Xavier Church in Seaside

St. Francis Xavier Church

As magical as it is to experience concerts when the audience is enthralled from the first to the last note, it is also magical to experience concerts when the audience is discovering a new experience with ooh’s and aah’s. Each year, the Carmel Bach Festival presents a Community Concert. This has been held in previous years at the St. Francis Xavier Church in Seaside. Thank you to the good people of this church for welcoming one and all to hear music. Thursday evening, July 18, 2019, was the latest of these informal free concerts. We heard a kind of “tasting menu” of pieces played by a string quintet and woodwind octet. Providing behind the scenes help was Suzanne Mudge, Director of Community Engagement. These concerts are planned to inspire people to experience the music of the Carmel Bach Festival. 

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Archived in these categories: Chamber music, Classical Era


Carmel Bach Festival 2019: Young Artists’ Showcase

Young Artists’ Showcase Performers

On Saturday Afternoon in Sunset Center the Carmel Bach Festival presented its annual Young Artists’ Showcase Concert, which, as the name would imply, is designed to showcase talented young musicians from four counties on the Central Coast. Participating in this concert were nine string players, five pianists, three vocalists, and a woodwind octet selected from a larger group of applicants, who had auditioned in May. These auditions were judged by CMMB Artistic Director Erica Horn and YMM Music Director Farkhad Khudyev. The Young Artists’ Showcase is managed and administered by Barbara Priest, the instrumental Music Director at Pacific Grove Middle School.  

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Archived in these categories: Baroque, Carmel Bach Festival, Cello, Chamber music, Piano