Carmel Chamber Players Debut in Home Concert

Review of Carmel Chamber Players

Nicola Reilly, James Neiman & Janneke Hoogland

            I enjoy walking the beach and enjoy the many trails we have in the Monterey area. Even so, I passed up my afternoon walk on Sunday, October 27, 2019 to attend a wonderful concert. I am so glad I took the time to sit still and experience an afternoon of chamber music by the Carmel Chamber Players. This, incidentally, is the debut appearance of this newly founded group. I joined a small group of guests at the Bronson Piano Studio in Carmel Highlands. Chamber music historically has been played and enjoyed in homes, and the living room studio in the home of Lyn and Renée Bronson is a perfect setting. To listen while viewing the trees behind the pianos is always a joy.

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Archived in these categories: Cello, Chamber music, Piano, Violin


Carmel Presbyterian Community Concert

            Fall has arrived! With the crisp air come favored activities: Enjoying wonderful fruits and vegetables, making pies and jellies and jams, Football games, and Opening Concerts. What Fun! For quite a few years, I supported my children by spending many Friday evenings sitting in Bleachers and cheering. Truth be told, I paid more attention during “Halftime” than “Game time” due to the activities my kids favored. Those were happy Friday evenings for the most part. Now, I’m content to attend a few concerts when the leaves begin to turn fabulous colors.

            To whet my appetite this fall, I chose to attend a Community Concert. Sponsored by Carmel Presbyterian Church, six local musicians gathered Friday, October 4, 2019 to offer a wide variety of music. There were solo pieces along with duets; even a Piano Trio. One of the organists at Carmel Presbyterian, Eun Ha Chung, was the busiest as she played solo pieces on the piano and the organ. She also served as accompanist for most of the other musicians. Eun Ha is a talented pianist. The instruments at Carmel Presbyterian Church were both used to their advantage.

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Archived in these categories: 20th Century, Baroque, Cello, Chamber music, Organ, Piano


Carmel Bach Festival 2019: Young Artists’ Showcase

Young Artists’ Showcase Performers

On Saturday Afternoon in Sunset Center the Carmel Bach Festival presented its annual Young Artists’ Showcase Concert, which, as the name would imply, is designed to showcase talented young musicians from four counties on the Central Coast. Participating in this concert were nine string players, five pianists, three vocalists, and a woodwind octet selected from a larger group of applicants, who had auditioned in May. These auditions were judged by CMMB Artistic Director Erica Horn and YMM Music Director Farkhad Khudyev. The Young Artists’ Showcase is managed and administered by Barbara Priest, the instrumental Music Director at Pacific Grove Middle School.  

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Archived in these categories: Baroque, Carmel Bach Festival, Cello, Chamber music, Piano


Cellist Janneke Hoogland & Pianist James Neiman at Del Mesa

In a late afternoon recital, we had an opportunity yesterday to hear a performance by two relatively new arrivals on the Monterey Peninsula, cellist Janneke Hoogland and pianist James Neiman. They performed works for cello and piano by J.S. Bach, Mendelssohn, Beethoven and Rachmaninoff for a capacity audience of family, friends and residents of Del Mesa Carmel.

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Archived in these categories: Cello, Chamber Music Monterey Bay, Piano


Brahms in Rome

A spectacular all-Brahms concert in Rome with pianist Yefim Bronfman and the Orchestra dell’Accademia Nazionale di Santa Cecilia conducted by Daniele Gatti offered the Piano Concerto No. 2 and Symphony No. 2 at the Sala Santa Cecilia on May 5. Arriving by bus in a torrential rainstorm, it nevertheless was exciting to see the Auditorium at the famed Parco della Musica, a huge modern building that contains several concert venues north of the city center.

Of interest to this retired orchestra player was the concert etiquette of the orchestra. Unlike symphony orchestras in the United States, here the players do not enter the stage early to tune and warm up. There is no pre-concert noodling in front of the entering public as in the USA. At four minutes after the announced concert time the players file on stage to continuous applause. They take their seats and the concertmaster begins the formal tuning process.

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Archived in these categories: Cello, Concerto, Orchestral, Piano, Romantic Era