Carmel Music Society presents Philharmonia Baroque

On Sunday, November 5, 2017 at 3 pm in Carmel’s Sunset Center, the Carmel Music Society presented a return engagement by Philharmonia Baroque. This is the fourth time the San Francisco Bay Area-based Philharmonia Baroque Orchestra has appeared on a Carmel Music Society concert season, and although the personnel may change from concert to concert, concertmaster Elizabeth Blumenstock has remained a constant. The concert line-up for the first half included works by baroque composers Locatelli, Pisendel, Veracini, and Vivaldi, however, it was announced before the concert began that the Vivaldi work to be included would not be the “Autumn” movement from the Seasons, but the Double Oboe Concerto in D Minor instead, due to Blumenstock feeling cramps in her arm the day before. We were assured that she was fully up to the rest of the concert, but to prevent further injury, just not up to the extreme taxing of “Autumn.” And by a few movements in, we forgot about being concerned for her as she simply played consistently and beautifully.

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Archived in these categories: Baroque, Carmel Music Society, Concerto, Orchestral

Pianist Orion Weiss Opens Carmel Music Society’s New Season

Yesterday afternoon pianist Orion Weiss opened the Carmel Music Society’s 2017-2018 season with an absorbing and tremendously satisfying piano recital. It was not so much his virtuosity that impressed us, but rather that his playing was so natural and inevitable that his virtuosity totally served the music, brought out the best in it, and in the process took us on an amazing journey. Read full story

Archived in these categories: 20th Century, Carmel Music Society, Piano, Romantic Era

“Folk and Barolk” — An Experience of Joy, Beauty and Energy.

This was an evening of Irish folk music seamlessly woven in with works by J.S. Bach, Torelli, and ultimately, Vivaldi. We heard lush orchestral performances as well as brilliant individual virtuosity in instrumental and vocal music. Let me state up front that I am a huge fan of violinist Edwin Huizinga and guitarist Coulter. I discovered I was not alone, for Sunset Theater was filled with adoring fans on Thursday night for good reason. As expected, Huizinga and Coulter performed brilliantly together, and they were matched by fine performances from soprano, Molly Quinn. Filling out the ensemble were a group of highly skilled musicians including violinists, Johanna Novom, Adrienne Post, and Joseph Tan; Violists Sarah Darling and Kyle Miller; cellist, Ezra Seltzer, bassist Jordan Frazier, Harpsichordist Dongsok Shin and flutist Rachel Carlson. Read full story

Archived in these categories: 20th Century, Carmel Music Society, Chamber music

Finckel, Han & Setzer play Beethoven Piano Trios for the Carmel Music Society

On Sunday, April 9, at 3:00 pm at Sunset Center, the Carmel Music Society presented three of America’s most exciting chamber musicians — David Finckel, cello, Wu Han, piano, and Philip Setzer, violin — in the second of two concerts featuring the complete Beethoven Piano Trios. The program was:

  • Piano Trio in G Major, Op. 1, No. 2
  • Piano Trio in E flat Major, Op. 70, No. 2
  • Piano Trio in B flat Major, Op. 97, “Archduke”

Approaching this concert, my initial feeling was that for me (and probably most of the audience at Sunset Center), yes, it was nice that we were going to hear two Beethoven Piano Trios that are less often performed, but the work I was really going to enjoy the most would be that great classic among piano trios, the famed “Archduke Trio” in B-flat Major, Opus 97. Read full story

Archived in these categories: Carmel Music Society, Classical Era, Piano trio

Pianist Jean-Philippe Collard Plays Schumann & Chopin at Sunset Center

Does the life of a famous concert pianist seem glamorous? Well, the reality is that although he was booked for the Carmel Music Society two years ago, his management, Seldy Cramer Artists of San Francisco, was unable to arrange for any other west coast appearances. Thus, Mr. Collard, in coming to perform for the Carmel Music Society on Sunday afternoon, was executing what is called in the artists management business, a “run out” — not one in a series of well planned, coordinated concerts in relatively close proximity, but a single concert, often with long travel distances involved. Read full story

Archived in these categories: Carmel Music Society, Piano, Romantic Era