- Pianist Chetan Tierra — Return of a Native Son
- Opera San Jose — Die Fledermaus
- Santa Cruz Symphony — Souvenir de Florence
- Danko Druško — Newly Appointed Director of Youth Music Monterey County
- The Joy of Modern & Traditional Music
- Hidden Valley Ends its Master Artist Series with cellist Mark Kosower in recital
- Celebration Choir: Walkin’ Together — Changing Our World
- Elastic Brio: Menlo’s Overture Concert
- Pianist Ko-Eun Yi at the Aptos Keyboard Series at St. John’s
- Masterful: [email protected]’s Concert Program V
- Sonorous Sweep: The Romantic Revolution at Menlo
- CBF 2019: Virginia Best Adams Masterclass Showcase
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Christi Macelaru welcomed everyone to the concert by inviting us ‘into the madness’ and ‘Dust Devils’, by Vivian Fung, which opened the concert with a whirl. She captured the swirl of a dust storm and everything the wind would pick up with it. In celebration of William Bolcom’s 80th birthday, the festival programed Bolcom’s ‘Concerto in D for Violin and Orchestra’ and his students, Kristin Kuster and Gabriela Lena-Frank pieces as well. Having a teacher and his students all having pieces performed was a wonderful showcase of how the influence of a teacher lasts a lifetime and the progression of the festival. There was also an addition to the program: a piece by Karim Al-Zand, a friend of the festival. The piece is an elegy for the displaced with the title, Luctus Profugis after which Christi asked us not to applaud, but reflect instead on who we are and where we come from. What a difficult, yet poignant way to engage the audience by Christi Macelaru who Lena-Frank termed ‘a gem’.
In addition to this being the year the Monterey Symphony is celebrating its 70th anniversary, one of the program selections on its March concert series, the symphonic poem Dante, by Enrique Granados, served to remind us how 100 years ago the tragedy of World War I impacted not only millions of men in arms, but also prominent members of Europe’s artistic community. It was in 1916 that composer Enrique Granados returning from America lost his life when his ship was torpedoed in the English Channel, Franz Marc, German Expressionist artist and a founder of Der Blaue Reiter Schule, was killed at the Battle of Verdun, and Austrian pianist Paul Wittgenstein lost his right arm on the Polish front (Ravel later composed his Concerto for the Left Hand for him).
May I begin by reminding the reader of how festive a live concert band, notwithstanding the limitations of beginning and intermediate student musicians, can be. However perfect professional orchestras might sound, they can be hard pressed to match the heartfelt energy and enthusiasm of a community or student concert ensemble. Such was the case today at the Cabrillo College Spring Festival of Bands concert.
Composer Heather Morris
There is nothing like the sound of a concert band. Not that I have anything against the full orchestra timbre, but the sound that come from the combined brass, woodwinds and percussion (minus the strings) is inherently festive and rousing. Such was the case for Cabrillo College’s Concert Band and Symphonic Winds on Sunday, May 4, under the direction of instructor Jon Nordgren. Along with familiar works by Mozart and John Phillips Sousa, the program spotlighted an outstanding ensemble of percussionists in Vaclav Nehybel’s Festivo. More percussive virtuosity followed, featuring Paul Kuhn, in Variations on a tune for Tympani by Maurice Garner. Into the Storm by Robert Smith was expertly conducted by assistant conductor Nicholas Marinovich.
The Distinguished Artists Concert Series (DACS) kicked off its 2012-2013 season this weekend with a recital by pianist Daniel Greenbush on Saturday, September 22, at 8 pm in the Cabrillo College Music Recital Hall. Pianist Greenbush is a former member of the music faculty of San Diego State University and additionally has had many years experience as a Music Director in area theaters.