- Pianist Chetan Tierra — Return of a Native Son
- Opera San Jose — Die Fledermaus
- Santa Cruz Symphony — Souvenir de Florence
- Danko Druško — Newly Appointed Director of Youth Music Monterey County
- The Joy of Modern & Traditional Music
- Hidden Valley Ends its Master Artist Series with cellist Mark Kosower in recital
- Celebration Choir: Walkin’ Together — Changing Our World
- Elastic Brio: Menlo’s Overture Concert
- Pianist Ko-Eun Yi at the Aptos Keyboard Series at St. John’s
- Masterful: [email protected]’s Concert Program V
- Sonorous Sweep: The Romantic Revolution at Menlo
- CBF 2019: Virginia Best Adams Masterclass Showcase
List by Category
Author Archives: Richard Lynde
If you weren’t at Peace United Church in Santa Cruz on Sunday afternoon, September 8th, you missed a great piano recital, presented by the Distinguished Artists Concert Series’ director John Orlando as a special event, not part of the regular series, by native son Chetan Tierra from Ben Lomond, now in his mid 30’s and living/teaching in San Diego with his lovely wife, also a pianist.
This writer first reviewed him around 20 years ago when he was a student of Hans Boepple and a “Wunderkind” — I often listen in my car to Tierra’s super CD from 2007. For several years, he has focused on a rock band; but, fortunately for musicians everywhere, he has put that behind him and returned to the classical “fold” with added maturity and intensity.Read full story
On Sunday afternoon, May 26, we had the opportunity to hear an all-Bach program inaugurating the recently installed tracker organ at the Episcopal Church of St John the Baptist in Aptos. Performing on this occasion was organist Vlada Volkova-Moran, who is also a distinguished Russian-trained pianist and teacher residing in Santa Cruz.
The two-manual tracker organ was built near Boston c. 1869 and was originally installed in a church in Marysville. The Episcopal Church of St. John the Baptist purchased the organ for one dollar, and then spent $100,000 to have it dismantled, packed up and shipped to Aptos, where it was then restored, installed and finely adjusted for its new home.Read full story
Returning here after an absence of 18 years, British super-pianist Danny Driver, now in his early 40’s delivered a commanding performance, seated at the ultra expressive Yamaha CFX concert grand at Peace United Church in Santa Cruz on March 19. This event concluded the 2016-17 Distinguished Artists Series season. In April 1999 he had superbly performed a conventional program of Chopin, Scriabin and Ravel on the seven-foot Steinway at St. Andrew’s Church in Aptos, also for DACLS. What we heard on this occasion was a totally unexpected, but very successful, layering of familiar early 20th century Debussy (1862-1918) impressionistic works with selections from Gyorgy Ligeti’s (1923-2006) amazing and almost overwhelming “Etudes” from the mid-1980’s to early “90”s, even more “transcendental” than all those of Liszt, Chopin, Rachmaninoff and Debussy put together. No wonder they are “cult” favorites for young, hotshot competition contestants. But Danny Driver was not showing off when, with DACLS Director John Orlando intently watching the scores as page turner, he sat lean and electric, using knowledge gained through his Cambridge degree in physiology as he sometimes reached the very depths of the bass with his left hand and the uppermost keys with his right. Read full story
A favorite here already, 24 carat pianist Alon Goldstein returned to Peace United Church in Santa Cruz on July 31st to perform a benefit for the Juanita Orlando Piano Fund to continue raising money for the Distinguished Artists Concert & Lecture Series splendid Yamaha CFX, praised by Goldstein as one of the five best in the world he has ever played during his extensive travels. And, after a fine recital, he returned during a second, “interactive” intermission before his encores, to discuss new ideas for the series, such as having performers remain for a few days to give a master class, visit schools or play at convalescent hospitals – all this with the approval of Distinguished Artists’ founding director John Orlando.
On April 17, Misuzu Tanaka, concluding pianist in the always excellent Distinguished Artists Concert & Lecture Series 31st season, presented an appreciative audience with a fine final recital, much of it in quick tempo, by way of early Schumann, late Beethoven (along with his previous “Rage Over a lost Penny),” young 20th century Prokofiev with “new” music, and Rachmaninoff with his aching for old Russia even years before he fled. Tanaka is a very mature, sure performer, one who afterwards told series director John Orlando that playing at the magnificent Yamaha CFX concert grand here was like riding a sensitive race horse, lowering the reins a little, and letting the champion take over for a winning run. In preparation for our “sound ride” she has studied at Juilliard, in the Czech Republic, and with a performance degree from Michigan. And besides playing in large venues, she also graces small festivals like ours here.