- Pianist Chetan Tierra — Return of a Native Son
- Opera San Jose — Die Fledermaus
- Santa Cruz Symphony — Souvenir de Florence
- Danko Druško — Newly Appointed Director of Youth Music Monterey County
- The Joy of Modern & Traditional Music
- Hidden Valley Ends its Master Artist Series with cellist Mark Kosower in recital
- Celebration Choir: Walkin’ Together — Changing Our World
- Elastic Brio: Menlo’s Overture Concert
- Pianist Ko-Eun Yi at the Aptos Keyboard Series at St. John’s
- Masterful: [email protected]’s Concert Program V
- Sonorous Sweep: The Romantic Revolution at Menlo
- CBF 2019: Virginia Best Adams Masterclass Showcase
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Author Archives: Dr. John Orlando
May I begin by reminding the reader of how festive a live concert band, notwithstanding the limitations of beginning and intermediate student musicians, can be. However perfect professional orchestras might sound, they can be hard pressed to match the heartfelt energy and enthusiasm of a community or student concert ensemble. Such was the case today at the Cabrillo College Spring Festival of Bands concert.
Jon Kimura Parker & James Parker
Jon Kimura Parker & James Parker (known affectionately to their friends as Jackie and Jamie Parker), seated at magnificent Steinway concert grand pianos, unleashed a formidable program celebrating the intoxicating rhythms, images and musical fragrances of the dance. Starting with Astor Piazzolla’s Grand Tango, they took us into a dreamy, lush musical landscape of hot, sensual South American temperaments. It was an instantaneous hit with the audience and a great beginning to an evening that got better with each new work on the program. With separate solo careers, the brothers rarely concertize as duo pianists, but have played together since they were very young. And it showed. Without a care in the world, they breezed through their program and their joy in doing so was a delight to the audience.
Composer Heather Morris
There is nothing like the sound of a concert band. Not that I have anything against the full orchestra timbre, but the sound that come from the combined brass, woodwinds and percussion (minus the strings) is inherently festive and rousing. Such was the case for Cabrillo College’s Concert Band and Symphonic Winds on Sunday, May 4, under the direction of instructor Jon Nordgren. Along with familiar works by Mozart and John Phillips Sousa, the program spotlighted an outstanding ensemble of percussionists in Vaclav Nehybel’s Festivo. More percussive virtuosity followed, featuring Paul Kuhn, in Variations on a tune for Tympani by Maurice Garner. Into the Storm by Robert Smith was expertly conducted by assistant conductor Nicholas Marinovich.
In a nutshell last weekend, the Santa Cruz County Symphony offered up a delicious serving of musical delicacies beginning with Percy Grainger’s In a Nutshell, an orchestral suite of considerable novelty that included steel and wooden marimba-phones, altered Swiss hand bells and a 5-octave South American sounding nabimba. The work showed Grainger’s affection for music of the popular Edwardian music hall. It is music joyfully fit for family consumption and was properly received in response to the orchestra’s adept rendering. The program ended with another tour de force masterpiece of orchestration: Capriccio Espagnol by Rimsky-Korsakov. Performed with characteristic Spanish flare, the work was a parade of outstanding soloists from nearly every section of the orchestra.