- Monterey Symphony: A Whale of a Concert!
- Benjamin Grosvenor in Miami
- Joyful Atavism: Benjamin Grosvenor in Recital
- Ensemble Monterey Presents: Schubert
- San Francisco Symphony — Crouching Tigers, Gentle Dragons
- Duo Papillion — Music for Piano Four Hands
- Aptos Keyboard Series — Pianist Daria Kiseleva
- Camerata Singers at First Presbyterian in Monterey
- Organist Paul Carmona at St. Dunstan’s
- YMMC Winter Concert at Sunset Center
- Symphonic Fire: The Santa Cruz Symphony
- Catalyst Quartet
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Author Archives: Josef Sekon, D.M.A.
Under the brilliant direction of Conductor Daniel Stewart, cellist Jonah Kim’s nuanced performance of Antonin Dvořák’s Cello Concerto in B minor, Op. 104, B. 191, demonstrated a deep understanding of the music’s emotional trajectory. The Santa Cruz Orchestra established a backdrop that was warm, luminous and animated by a tangy freshness, as indeed was the playing of Kim.
Kim’s interpretation of contoured passion responded to the music’s lyrical soul. He exhibited an expressive mastery that illuminated the concerto’s essential vitality with an attention to nuance that derived both from mature artistry and the orchestra’s excellent supporting role.Read full story
Contemporary works are much like contemporary art. The major difference is one can spend time viewing an art work, looking at it from several angles in an attempt to better understand what in many cases the artist intended to depict. However, and unfortunately, music is performed in real time and as it passes, so too does the time it demands for a better understanding.
“Enlightenment” is a most appropriate title for the opening concert of the orchestra’s 2019 season, and it was filled with wonderful surprises. Like the tortoise found in Hindu mythology, appearing capable of carrying the heavens on its back, one hears and witnesses towering achievements from our young conductor. In order to reach such heights, Maestro Stewart has created an impressive musical atmosphere based on mutual respect and partnership. When this occurs, impressive musical results are the artistic consequence, a fact the supportive audience has experienced during his tenure. He has built the technical quality of the orchestra much in the manner of the late Pierre Boulez, and his contemporary Esa-Pekka Salonen now of the San Francisco Symphony, who forever look for perfection in details and refinement in the intimacy of the works they perform. Especially evident was the orchestra’s sound in the Mozart Symphony No. 40. The orchestra’s development sounded like an impressive “major big city orchestra”!
San Francisco take note!Read full story
It was a most impressive showing of support for a most impressive concert that took place on Sunday, December 9 at Holy Cross Catholic Church in Santa Cruz. No less than three lines of supporters lined up in front of the church entrance that extended a block down to the street and waited patiently for the doors to open. One line was dedicated to ticket holders, one for “Will Call” and the third for those who wished to purchase tickets. The concert was a complete sell out with people hustling and hoping for a seat or two. Read full story
What a delightful musical treat to hear the incredible Del Sol String Quartet perform with great depth and virtuosity six works, two by friends, neighbors, colleagues and mentors: Lou Harrison (1917-2003) and Ben Johnston (1926). Members of the stellar Del Sol String Quartet are Ben Kreith (violin I), recent member Sam Weiser (violin II), Charlton Lee (viola), and Kathryn Bates (cello), created a “California Flow” program. Read full story
I have the good fortune of having heard two unforgettable performances. In ca. 1968 I attended a Cleveland Orchestra concert with Igor Stravinsky conducting Le Sacre du Printemps. In ca. 1971, I had the distinct pleasure of hearing a more profound performance of Le Sacre du Printemps with Pierre Boulez conducting. At that point in time the Cleveland Orchestra was considered among the great orchestras of the world in a group that included the symphony orchestras of Boston, New York, Chicago, Berlin, Concertgebouw and Vienna! When Maestro Gustavo Dudamel conducted his Simon Bolivar Symphony Orchestra in Vienna, a major music critic wrote “Dudamel and his Venezuelan “band” are nipping at the heels of the great Vienna Symphony Orchestra.” Can you feel it San Francisco? Read full story